The Place on the Lake: Book One: A Story of Lust and Punishment
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This may not initially appear to have any bearing on its content or intent, yet Richlin suggests a profound relevance:. Rape is undoubtedly the most controversial and confronting theme of the Metamorphoses. It is the ultimate manifestation of male power in the poem and the hundreds of transformations that occur are often the means of escaping it.
An early tale of attempted rape is narrated in Book I, involving the nymph, Daphne and the god, Apollo. Intent on raping Daphne, Apollo chases her through the forest until, utterly exhausted, she calls out to her father, the river god Peneus to rescue her:. Destroy the shape, which pleases too well, with transformation!
9 Circles of Hell (Dante's Inferno)
The tale of Daphne and Apollo, like so many stories in the Metamorphoses, is classified as an aetiological myth; that is, a narrative that explains an origin. But, as the excerpt above testifies, it is so much more than that. During the last few years, the Metamorphoses has been challenged as a legitimate text for tertiary Humanities students. Defying the hundreds of years of pedagogical tradition that has seen the poem set for both Latin students and, more recently, literary students who study it in translation, the Metamorphoses has not only been interrogated by scholars such as Richlin, but has also been the subject of increased student complaints and calls for trigger-warnings.
In response to the growing number of objections to the work, academic and university executives have been called on to take a position — not only in relation to the Metamorphoses, but in response to other materials that are perceived to render the tertiary experience unsafe.
The Chancellor at Oxford, Chris Patten, has been quoted as saying that history cannot be rewritten to suit contemporary western morals.
~ of Dante Alighieri
Equally as important to the debate, and the decisions that may ultimately result from it, is the life-experience of every individual in the classroom. Amid a class of students taking notes from a lecture on the Metamorphoses, for example, may be a rape survivor. Current statistics from the United States in particular suggest that the likelihood of this is exceptionally high. Emerging statistics from across Australia are painting a similar picture.
Such a situation requires alertness and sensitivity when handling texts such as the Metamorphoses. But should the work of Ovid be banned or placed among the shelves marked "Warning: What would such measures ultimately achieve? Would it augment safe spaces? Or, would it censor discussions around rape and shut down interrogations of sex, violence and female exploitation?
Would it silence one of the means of opposition to the societal sickness of rape? The Metamorphoses of Ovid has had a long and fascinating history. Its presence among the literary canon of the West has functioned as a strange but valuable mirror that has, for over two millennia, reflected social, moral and artistic customs. The history of pets and family life — Egham, Surrey. Pets in Victorian paintings — Egham, Surrey. Available editions United Kingdom.
Dante's Inferno - Circle 2 - Canto 5
One of the most famous attempted rapes in literature: Apollo chasing Daphne, Cornelis de Vos, Here, Dante says to see many clergymen including cardinals and popes. The Fifth Circle of Hell is where the wrathful and sullen are punished for their sins.
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Transported on a boat by Phlegyas, Dante and Virgil see the wrathful fighting each other on the surface of the river Styx and the sullen gurgling beneath the surface of the water. Again, the punishment reflects the type of the sin committed during lifetime. When reaching the Sixth Circle of Hell, Dante and Virgil see heretics who are condemned to eternity in flaming tombs.
The latter, however, is according to some modern scholars condemned by Dante as heretic by a mistake. Instead, as some scholars argue, the poet probably meant the Byzantine Emperor Anastasius I.
The Seventh Circle of Hell is divided into three rings. The Outer Ring houses murderers and others who were violent to other people and property. Here, Dante sees Alexander the Great disputed , Dionysius I of Syracuse, Guy de Montfort and many other notable historical and mythological figures such as the Centaurus, sank into a river of boiling blood and fire. Degli Abati tells Dante to leave him alone, but Dante cannot hold back his contempt for this traitor to his party, illustrating both his own loyalty to the Guelphs and his increasing inability to pity the punishments of sinners.
It would not be out of character for this poem, which interweaves wildly varying styles, to incorporate a bit of ironic comedy just before the dramatic climax: the approach of Lucifer himself.
Second Circle (Lust)
Inferno by: Dante Alighieri. Character List Dante Alighieri Virgil. Themes Motifs Symbols Key Facts. Page 1 Page 2. Test your knowledge Take the Cantos 30—33 Quick Quiz. Inferno: Popular pages.
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